Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon. Payola's research, and presentation of this research, is a purposeful affront to empirical data, the scientific method and other enlightenment ideals, while reveling in the desire for the revolution and intellectual expansion those thinkers championed. The concepts are undermined by the form and register of their delivery OR the concepts are strengthened by the poetry through which they are presented.

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon. Payola's research, and presentation of this research, is a purposeful affront to empirical data, the scientific method and other enlightenment ideals, while reveling in the desire for the revolution and intellectual expansion those thinkers championed. The concepts are undermined by the form and register of their delivery OR the concepts are strengthened by the poetry through which they are presented.

Scottish movie star Alan Cumming returns to his homeland to take a tour of the locations of some classic Scottish movies. He celebrates some of the weird and wonderful movies inspired by Scotland, such as The Wicker Man, which was filmed in Dumfries and Galloway. 　　Film experts and actors, including Peter Mullen and David Hayman, compare the blockbusters Braveheart and Rob Roy, while Edinburgh's contribution to Scottish cinema is celebrated by the contrasting films The Prime of Miss Jean Brodie and Trainspotting. 　　Director Bill Forsyth meets Cumming in Cumbernauld - the setting of Forsyth's film Gregory's Girl - and explains why the new town was such a fitting location for his enduringly popular film.

Scottish movie star Alan Cumming returns to his homeland to take a tour of the locations of some classic Scottish movies. He celebrates some of the weird and wonderful movies inspired by Scotland, such as The Wicker Man, which was filmed in Dumfries and Galloway. 　　Film experts and actors, including Peter Mullen and David Hayman, compare the blockbusters Braveheart and Rob Roy, while Edinburgh's contribution to Scottish cinema is celebrated by the contrasting films The Prime of Miss Jean Brodie and Trainspotting. 　　Director Bill Forsyth meets Cumming in Cumbernauld - the setting of Forsyth's film Gregory's Girl - and explains why the new town was such a fitting location for his enduringly popular film.

Made entirely of Scottish film archive, a journey into our collective past, the film explores universal themes of love, loss, resistance, migration, work and play. Ordinary people, some long since dead, their names and identities largely forgotten, appear shimmering from the depth of the vaults to take a starring role. 　　Brilliantly edited together, these silent individuals become composite characters, who emerge to tell us their stories, given voice by King Creosote's poetic music and lyrics.

Made entirely of Scottish film archive, a journey into our collective past, the film explores universal themes of love, loss, resistance, migration, work and play. Ordinary people, some long since dead, their names and identities largely forgotten, appear shimmering from the depth of the vaults to take a starring role. 　　Brilliantly edited together, these silent individuals become composite characters, who emerge to tell us their stories, given voice by King Creosote's poetic music and lyrics.

In a country celebrated for its unique 'natural' beauty, Professor Iain Stewart reveals how every square inch of Scotland's landscape has been affected by centuries of human activity.

In a country celebrated for its unique 'natural' beauty, Professor Iain Stewart reveals how every square inch of Scotland's landscape has been affected by centuries of human activity.

A writer is sent to Scotland to collect a literary award for her boss and is quickly mistaken for someone else by a dashing Scottish poet. Now, she'll need to decide if telling the truth is worth possibly losing the man of her dreams.

A writer is sent to Scotland to collect a literary award for her boss and is quickly mistaken for someone else by a dashing Scottish poet. Now, she'll need to decide if telling the truth is worth possibly losing the man of her dreams.